Somewhat the worse for wear though eminently restorable.
You can call it a project.
Featuring our 16th president.
This has got to be the most perfect non-Martin-made copy of a Martin guitar I’ve ever seen.
Straight-grained Indian rosewood back and sides, finely-grained Sitka spruce top.
This two-year-old guitar is in mint condition, literally unplayed.
A gorgeous and stunning guitar by master craftsman Tracy Cox.
Serious bargain of the year.
The only known example of a D'Angelico violin.
Re-creation of Fender's original 1950 very first solid-body electric guitar.
The entire body is of solid mahogany.
Ready to ride, so saddle up.
The only thing that’s been changed is the finish on the body.
Absolutely no finish wear.
For the maple-bodied flat-top tones of Rolling Stones, Everly Brothers, Elvis & more.
No other Gibson even remotely similar is known to exist.
It’s the uptown version of the ES-175.
In immaculate condition.
The gold finish on the top looks great.
Sounds and plays like a dream.
Made in Japan.
Just beautiful in every way.
Western Red Cedar top with mahogany back & sides.
Jumbo rosewood body with spruce top.
18” body and carved Sitka spruce top.
Kamaka’s finest soprano uke.
Concert size in immaculate, nearly unplayed condition.
Its condition is nothing short of remarkable.
Sounds like a million bucks.
Made in 1973 expressly for Jay Griffith, Martin’s International Sales Manager.
Superbly straight-grained spruce and East Indian rosewood.
Big, bold & clear.
Straight-grained Madagascar rosewood & ultra-fine Adirondack spruce top.
Imbuia is a gorgeous Brazilian hardwood with beautiful tonal properties.
Martin Guitar Co. commemorate the groovy '60s with this limited edition guitar.
The famous “Headless Schatz”.
In all original condition, including its friction tuning pegs.
The action is delightful and as easy to play as any 12-string you’ve ever held.
Solid Sitka spruce top and full-body gloss finish.
Sitka top, genuine mahogany back & sides, 17" wide body.
Made from the wood of the last surviving Liberty Tree.
“Gravé par Thérese”
Chambered poplar body and solid Sitka spruce top.
Tuned almost an octave high, from D to D, with all courses tuned in unison.
